Role of the Pinna in Monaural Sound Localization
نویسندگان
چکیده
منابع مشابه
Monaural Sound Localization
The principles of human sound localization imply binaural (interaural level and time difference) as well as monaural cues. The latter are captured by the head-related transfer functions (HRTFs), which describe the direction-dependent, spectral shaping of the incident sound wave, and can be exploited to determine the direction. In this paper an accurate talker localization strategy in the horizo...
متن کاملContribution of head shadow and pinna cues to chronic monaural sound localization.
Monaurally deaf people lack the binaural acoustic difference cues in sound level and timing that are needed to encode sound location in the horizontal plane (azimuth). It has been proposed that these people therefore rely on spectral pinna cues of their normal ear to localize sounds. However, the acoustic head-shadow effect (HSE) might also serve as an azimuth cue, despite its ambiguity when ab...
متن کاملContribution of Head Shadow and Pinna Cues to Chronic Monaural Sound Localization
Monaurally deaf people lack the binaural acoustic difference cues in sound level and timing that are needed to encode sound location in the horizontal plane (azimuth). It has been proposed that these people therefore rely on spectral pinna cues of their normal ear to localize sounds. However, the acoustic head-shadow effect (HSE) might also serve as an azimuth cue, despite its ambiguity when ab...
متن کاملMonaural Adaptive Mechanisms in Human Sound Localization
12 Monaural and binaural listeners 12 Apparatus 14 Auditory stimuli 14 Paradigms 15 Data analysis 15 2.3 Results 18 The influence of intensity on monaural sound-source azimuth localization 18 The influence of spectral cues on monaural sound-source azimuth localization 22 Monaural sound-elevation localization 25 Training to localize azimuth monaurally 27 2.4 Discussion 28 Acknowledgements 31 Cha...
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از محوری ترین اثراتی که یک فیلم سینمایی ایجاد می کند دیالوگ هایی است که هنرپیش گان فیلم میگویند. به زعم یک فیلم ساز, یک شیوه متأثر نمودن مخاطب از اثر منظوره نیروی گفتارهای گوینده, مثل نیروی عاطفی, ترس آور, غم انگیز, هیجان انگیز و غیره, است. این مطالعه به بررسی این مسأله مبادرت کرده است که آیا نیروی فراگفتاری هنرپیش گان به مثابه ی اعمال گفتاری در پنج فیلم هالیوودی در نسخه های دوبله شده باز تولید...
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ژورنال
عنوان ژورنال: The Journal of the Acoustical Society of America
سال: 1970
ISSN: 0001-4966
DOI: 10.1121/1.1975455